A monoshell light office chair on castors, Spoon Chair is the result of a totally avant-garde production process. The innovative dual-component injection moulding technology used to produce this chair creates a “layered” product. Two different thermoplastics are moulded at the same time, one for beauty (exterior) and the other for its high mechanical resistance, giving Spoon Chair its highly technological characteristics and maximum flexibility which comes from its highly customisable thickness which adapts to the user’s weight. The easy-to-use handle regulating the mechanism is concealed inside trunk of the bottom shell to avoid interrupting its sinuous line. Ideal for offices, there is also a fireproof version of the Spoon Chair.
- Smooth Batch-dyed Polypropylene
- Width: 57 cm / 22.5 inch
- Height: 83-92.5 cm / 32.875-36.375 inch
- Seat Width: 46 cm / 18.125 inch
- Seat Height: 45-54 cm / 17.75-21.25 inch
- Diameter: 72 cm / 28.375 inch
Kartell's company story shines through in each and every one of its products. A commitment to the ever changing and advancing technology and versatility of plastic, Kartell's primary material, is at the heart of this Italian design house. Design integrity and innovation is another core element of Kartell's operations, highlighted by its partnerships with internationally aclaimed designers. Kartell's design roster includes Philippe Starck, Partricia Urquiola, Enzo Mari, Piero Lissoni, Vico Magistretti, Alberto Meda, Ferruccio Laviani and Ron Arad, among other top talent.read more...
Over a 63 year history, Kartell has positioned itself in the forefront of contemporary interior design, building an impressive resume of prestigious awards including several Compasso d'Oro awards - the oldest industrial design award in Europe. New York's Museum of Modern Art is also a collector of Kartell for its permanent collection, including the iconic modular Componibili storage unit by Anna Castelli Ferrieri.
Kartell's comprehensive catalogue includes a vast selection of products ranging from wall hooks to sofas - all available in bold beautiful colours and, of course, in Kartell's signature material: plastic. Proving that plastic can be beautiful has been a challenging goal exquisitely achieved by this design company. Kartell's products can be found and celebrated in private homes and public spaces all over the world. www.kartell.it
Kartell Spoon Office Chair Designed by:
- Antonio Citterio
- Toan Nguyen
Born in 1950 in Meda, Italy, Antonio Citterio opened his architecture office at the age of just 22. One of the most internationally sought-after designers, Citterio has worked for such renowned companies as Vitra, Flos, Kartell, and Iittala. The reason for the success of his design projects is that he likes to “tease” out an object’s dormant potential. He is on a constant search for true and authentic work and that he detests bad design. In 1987 and in 1994, Antonio Citterio received the Compasso d’Oro award.
Since 2006 he has been teaching architectural design at the Academy of Architecture in Mendrisio, Switzerland. In 2008, the Royal Society honored him for the Encouragement of Arts, Manufactures and Commerce of London, which gave him the title of “Royal Designer for Industry.”
Graduating from the ENSCI (Paris) in 1995, Toan Nguyen pursued his training in Barcelona with Alberto Lievore, moving to Milan in 1996, where not long after he took over as head of Antonio Citterio’s design department, with whom, for nearly ten years he was to sign lines for, among others, Axor-Hansgrohe, B&B Italia, Flos, Iittala, Kartell, Technogym, and Vitra. In 2009 he founded his own studio in Milan, subsequently embarking on a series of successful collaborations with several major brands in high-quality industry and fine craftmanship in Europe, North America, and Asia, on furniture, lighting, ceramics, as well as on technological products.
For Toan Nguyen design is a discipline intimately bound up with the object, in the traditional sense of the term. Priority is given to physical relationships with users—to them sitting, washing, lighting, etc. Displaying an immediate sense for meaningful utilization, precedence is accorded to intelligible forms and optimized manufacturing processes, without, however, ever neglecting the sensuality of materials and the emotional impact of the object.
Toan Nguyen’s creative individuality has been acknowledged by flagship contemporary design brands such as Vibia, Dedon, Laufen, Fendi Casa, Coalesse, Teknion, Studio TK, Viccarbe, Walter Knoll, Lema, Busnelli, RH, among others, a substantial number of whose creations have been awarded prestigious international prizes.