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Knoll Florence - Credenza - Two Position (Six Box Drawers)


Starting at: $7,637.00 USD
$7,637.00 USD


Perfectly proportioned and immaculately detailed, the iconic Florence Knoll low credenza works as well in the dining room as it does in the office. MORE INFO

Product Options

  • Polished Chrome
  • Satin Chrome
  • Natural Oak
  • Medium Brown Mahogany
  • Medium Red Mahogany
  • Ebonized Oak
  • Pearwood
  • Natural Oak
  • Medium Brown Mahogany
  • Medium Red Mahogany
  • Ebonized Oak
  • Pearwood
  • Coated Marble: Nero Marquina
  • Coated Marble (Satin): Nero Marquina
  • Coated Marble: Arabescato
  • Coated Marble (Satin): Arabescato
  • Coated Marble: Calacatta
  • Coated Marble (Satin): Calacatta
  • Coated Marble: Verde Alpi
  • Coated Marble (Satin): Verde Alpi
  • Coated Marble: Carrara
  • Coated Marble (Satin): Carrara
  • Coated Marble: Empire Beige
  • Coated Marble (Satin): Empire Beige
  • Natural Marble: Carrara

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$7,637.00 USD


Perfectly proportioned and immaculately detailed, the iconic Florence Knoll low credenza works as well in the dining room as it does in the office.

Prior to the pioneering approach of Florence Knoll and the Knoll Planning Unit, executive offices in America were nearly all planned the same way.

Florence Knoll described this standard layout in her 1964 “Commercial Interiors" entry for the Encyclopedia Britannica: “In such an office there was always a diagonally-placed desk, with a table set parallel behind it, a few chairs scattered around the edge of the room, and a glassed in bookcase. The table behind the desk generally became an unsightly storage receptacle."

Seeking to create a space better suited to the executive’s primary function — communication — Florence reconsidered the illogical layout from an architectural perspective. She eliminated the imposing desk, replacing it with the more inviting table desk, placed parallel to the back wall. Storage was moved to behind the table in a low, matching credenza.

To execute this new layout, Florence introduced the 2544 Credenza in 1961. The elegant design exuded executive quality, and clearly exhibited Mies van der Rohe’s impact on Florence’s approach to design. Design historian Bobbye Tigerman notes that, “the furniture is architecture miniaturized…The structure of a large case balanced on thin peripheral columns recalls Mies’ Seagram Building." Like Mies, Florence Knoll would endlessly refine each detail of a design in order to achieve simple, seemingly effortless beauty.


  • Top available in marble and wood finishes
  • Base in satin chrome or polished chrome
  • Sides, back, drawer and door fronts are ebonized oak veneer


  • Width: 95.2 cm / 37.5 Inch
  • Depth: 45.7 cm / 18 Inch
  • Height: 64.7 cm / 25.5 Inch


  • Available with central locking system and key
  • Greenguard Indoor Air Quality Certified®

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Product Attachments

View FileFlorence Knoll Credenza Collection    Size: (252.2 KB)
View FileFlorence Knoll Collection Brochure    Size: (613.18 KB)

Boasting an extensive portfolio of products ranging from office work systems and residential mid-century modern classics, to textiles and accessories, Knoll is a leader of modern and sustainable design. Iconic designs from classic designers such as Harry Bertoia, Eero Saarinen, Warren Platner, Isamu Noguchi and Florence Knoll herself make up a large component of Knoll's collection, along with innovative contemporary pieces. Knoll's products can be found in private residences and major art museums alike, including 40 products in the permanent collection of the Museum of Modern Art in New York. read more...

Knoll Florence - Credenza - Two Position (Six Box Drawers) Designed by:
  • Florence Knoll , 1961
Florence Knoll

Florence Knoll

USA, 1917

Born Florence Schust in 1917, and orphaned at age 12, Knoll began her architectural studies at the Kingswood School in Michigan and was virtually adopted by the family of Eliel Saarinen. She continued her studies at Cranbook Academy of Art, the Architectural Association in London, and the Illinois Institute of Technology under Mies van der Rohe, where she received her architectural degree. In 1946, she married Hans Knoll, owner of the Hans G. Knoll Furniture Company and the firm became known as Knoll Associates, Inc.

As an architect, interior space planner, and furniture designer, Florence Knoll defined the look and market for modern design in corporate America in the 1950s and made modern American design an international style. Her pioneering interiors profoundly influenced post-World War II design. Her reductive aesthetic of light, open spaces furnished with elegant woven fabrics, furniture grouped for informal conversation and brightly colored wall panels made Knoll one of the most influential design firms of the time.

Her notable planning projects for the firm included the interior design of the CBS, Seagrams, and Look magazine offices in New York City. After her husband’s death, Florence served as president and continued as design director of the company until 1965 when she resigned to pursue a career as a freelance designer.

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