There is always something magic about the word chest, even if it’s simply meant to store blankets in a charming vintage way… in this case the magic originates from the intricate pattern of symbols designed on its surface, creating a mysterious message that waits to be deciphered.
- Solid Pine Stained In White Hand Painted Artwork
- Height: 190 cm / 74.8 inch
- Width: 135 cm / 53.1 inch
- Depth: 50 cm / 19.7 inch
Named after the Dutch word for beautiful – the third ‘o’ in the brand name stands for an extra value in terms of beauty and uniqueness. For more than ten years Moooi has inspired and seduced the world with sparkling and innovative designs. Marcel Wanders and Casper Vissers founded the company in 2001. The Moooi portfolio contains a range of work from many other internationally recognized designers. Its style is exclusive, daring, playful, exquisite and based on the belief that design is a question of love. Moooi takes pride in producing timeless objects of beauty which posses the uniqueness and character of antiques combined with the freshness of modern times. This fusion brings the brand to focus on the production of iconic objects. Their collection of lighting, furniture and accessory designs deliver an extra touch of creativity and beauty.
Moooi Altdeutsche Cabinet Designed by:
- Studio Job , 2011
Nynke Tynagel - Netherlands, 1977 / Job Smeets - Belgium, 1970
Studio Job was founded in 2000 by Nynke Tynagel and Job Smeets, who are both graduates of the Design Academy Eindhoven, and are now based in Antwerp (Belgium) and the Netherlands. They redefine the applied arts for the contemporary age. Their collaboration has created highly expressive, mainly one-off or limited edition works, from the outset.
Often cast in bronze or, later, crafted from laser-cut marquetry, the physical potential and malleability of the materials they use is pushed to the hilt. Their approach is more in keeping with that of traditional guilds than anything industrial. For Studio Job, creation is pre-eminent over definition. Smeets describes it thus: “Unlike most, we are probably not coming from Modernism. Studio Job’s contribution is that we have rediscovered a lost path. Consciously and carefully, we are positioning decorative arts in the twenty-first century. Is that design? Whatever. Is that art? Whatever, really.”
Studio Job’s work is widely collected both in the private and public sectors. Although, by definition, their work has primarily been geared towards collectors and museums, Studio Job has collaborated successfully with various likeminded brands eg. Bulgari, Swarovski, Bisazza, Venini, Land Rover, Viktor & Rolf and Moooi. There have been solo exhibitions in eg New York, Tokyo, Los Angeles, Paris, London, Milan, Geneva, Miami and Basel. Today, Studio Job designs are in collection of more than 40 museums worldwide.