An elegant salt mill in the Cylinda-Line range by Arne Jacobsen. Simple, clean lines in stainless steel with an attractive satin-finish exterior. The mill has a ceramic CrushGrind® mechanism which makes light work of grinding salt and includes fine or coarse settings according to taste.
- 18/8 Stainless Steel, Satin Finish
- Ceramic Grinder Mechanism
- Length: 5 cm / 2 inch
- Width: 5 cm / 2 inch
- Height: 13 cm / 5.1 inch
- Minimalist salt or pepper mill in satin-finish stainless steel
- CrushGrind® mill. The degree of coarseness can be set individually.
- Easy to clean with a damp cloth
Surprising, innovative, best-in-class, high-quality Scandinavian design, “the brand that tickles the design gene”. Started over 50 years ago by two army friends looking to start a trading business, Niels Stellan Høm and Carton Madelaire heard about a small factory in Fårevejle, Denmark, called Danish Stainless. Stelton (a combination of their two names) began marketing a stainless gravy boat that sold like hotcakes in Danish hardware stores and was also a hit in Europe. Beginning with award-winning designs by Arne Jacobsen, perhaps Denmark’s greatest architect and designer, Stelton invited new designers to furnish innovative product ideas to appeal to a broader range of consumer tastes. Stelton products have become the epitome of Danish design.
Stelton AJ Salt Mill Designed by:
- Arne Jacobsen , 1974
Denmark, 1902 - 1971
“The fundamental factor is proportion. Proportion is precisely what makes the old Greek temples beautiful...And when we look at some of the most admired buildings of the Renaissance or the Baroque, we notice that they are all well proportioned. That is the essential thing.” - Arne Jacobsen
As an architect and an industrial designer, Jacobsen always strove to achieve grace and coherence. In the process, he emerged as the single most influential Danish architect of the 20th century and the designer of such modernist classics as the Swan, Egg and Ant chairs as well as the stainless steel, abstract-shaped cutlery which the director Stanley Kubrick chose as futuristic props for his film, 2001: A Space Odyssey.
Born in Copenhagen in 1902, Arne Jacobsen studied architecture at the Royal Academy of the Arts. As a student, Jacobsen travelled to Paris for the groundbreaking 1925 Exposition Internationale des Arts Décoratifs, where he won a silver medal for a chair design. Architectural commissions dwindled during World War II and being Jewish, Jacobsen was threatened by the Nazi occupation of Denmark. In 1943, he left Denmark for two years of wartime exile in Sweden, where he was inspired by Scandinavia’s rich cultural heritage and natural beauty. When he returned to Denmark in 1945, the country urgently needed new housing and public buildings. Jacobsen’s late 1940s houses and apartment blocks were fairly spartan in design and intended to be built at speed.
During the 1950s, Jacobsen became increasingly interested in product design inspired by the work of the US furniture designers, Charles and Ray Eames. In 1951, Jacobsen completed work on the Ant Chair, an intricately molded plywood seat on three thin steel legs. This was followed by the simpler hourglass form of the 1955 Model 3107 - Series 7 Chair. Like the Ant, the Series 7 was perfect for modern living being light, compact and easily stackable. In 1957 Jacobsen also created another pair of classic 20th century chairs, the Swan and the Egg, with organically shaped upholstered seats on slender metal bases.
Jacobsen was responsible for another 20th century classic, the Cylinda Line stainless steel cocktail kit and tableware, which he designed, in the late 1960s for Stelton.