The Dream Chair by Japanese Architect Tadao Ando is a comfortable and sculptural furniture piece that invites relaxed reflection.
- Veneer, Flame Retardant Cold Foam
- Height: 100cm / 39.3 Inch
- Width: 80cm/ 31.5 Inch
- Depth: 86cm / 33.9 Inch
- Seat Height: 38cm / 15 Inch
Passionate craftsmanship means many things to different people. To Carl Hansen it means everything. It has been so ever since 1908 when Carl Hansen founded his company on a strong belief: outstanding craftsmanship and rational serial production could go hand-in-hand to provide customers with high-quality furniture at a reasonable price. Today they continue to build on this simple but strong idea, combining traditional woodworking techniques with the latest technology to produce furniture of lasting value.
Carl Hansen & Son TA001P Dream Chair Designed by:
- Tadao Ando , 2013
Tadao Ando, born September 13, 1941) is a Japanese self-taught architect whose approach to architecture and landscape was categorized by architectural historian Francesco Dal Co as "critical regionalism".
Ando worked as a truck driver and boxer before settling on the profession of architect, despite never having formal training in the field. Struck by the Frank Lloyd Wright-designed Imperial Hotel on a trip to Tokyo as a second-year high school student, he eventually decided to end his boxing career less than two years after graduating from high school to pursue architecture.
He attended night classes to learn drawing and took correspondence courses on interior design. He visited buildings designed by renowned architects like Le Corbusier, Ludwig Mies Van der Rohe, Frank Lloyd Wright, and Louis Kahn before returning to Osaka in 1968 to establish his own design studio, Tadao Ando Architects and Associates.
The simplicity of his architecture emphasizes the concept of sensation and physical experiences, mainly influenced by the Japanese culture. The religious term Zen, focuses on the concept of simplicity and concentrates on inner feeling rather than outward appearance. Zen influences vividly show in Ando’s work and became its distinguishing mark. In order to practice the idea of simplicity, Ando's architecture is mostly constructed with concrete, providing a sense of cleanliness and weightlessness at the same time. Due to the simplicity of the exterior, construction, and organization of the space are relatively potential in order to represent the aesthetic of sensation.