The Bellhop collection designed by Barber Osgerby expands with the introduction of an eccentric up-lit floor lamp. Originating from the Bellhop table lamp design, the designers have flipped the arched diffuser upside down and elongated the body to nearly 6 ft high. Bellhop Floor is constructed from painted glass, aluminum, and an eco-friendly concrete base.
- Height: 178 cm / 70.1 inch
- LED 26W 1232lm 2700K CRI 90
After first opening its doors in 1971 Flos acquired brands and opened a new factory on a path to bring cutting edge creativity to the interior lighting industry. Their later collaborations with Achille Castiglioni in the 80's established Flos in the market by developing a family of lighting, the Brera Series. Later partnerships with contemporary talent including Philippe Starck, Jasper Morrison, Konstantin Grcic, Marc Newson, Piero Lissoni, Marcel Wanders, Patricia Urquiola and many others continued to propel Flos as a leader in modern interior lighting. Pairing with talented design professionals has become a core element of the company's mandate and extends to all areas of its brand including promotional activities and artful photography.
Having received much critical acclaim, Flos is a five time winner of the Compasso d'Oro Industrial Design Award and have secured commissions to illuminate several of Europe's great historical and architectural sites including Venice's Palazzo Grassi and the City of Amsterdam archives.
Today, Flos is a top choice amongst consumers for both private residences and commercial lighting applications. A versatile catalogue paired with a long standing reputation and design history makes Flos products a perfect addition to any space.
Flos Bellhop Floor Lamp Designed by:
- Edward Barber & Jay Osgerby
Edward Barber & Jay Osgerby
Barber, 1969 / Osgerby, 1969
“The pencil is the ultimate tool for the transfer of ideas from mind to paper.” - Edward Barber
Edward Barber and Jay Osgerby, both born in England in 1969, studied architecture and interior design together at the Royal College of Art in London. They founded their own architecture and design studio – Barber Osgerby – in 1996. Known for their roguish designs such as the Tip Ton chair for Vitra and the Tab Light for Flos, the East London-based pair have been showered with a number of prestigious awards including the Jerwood Applied Arts Prize for Furniture, and most recently they were awarded the title of Royal Designers for Industry by the Royal Society of Arts.
Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.