- Description
-
Details
A brand new edition of the Tab family, now with new capabilities in new colors. This new edition of Tab table lamp has an adjustable head with a ±90-degree rotation capability emitting direct light. Features a dimmer switch on cord.
MATERIALS:
- Aluminum, PMMA
MEASUREMENTS:
- Height: 12.8 inch
- Depth: 10.7 inch
- Base Diameter: 6.9 inch
HELPFUL NOTES:
- LED 9W 2700K 347lm CRI90
- Environment: Indoor - Dry Location
- Dimmer switch on power cord
- cULus Listed
- Brand
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After first opening its doors in 1971 Flos acquired brands and opened a new factory on a path to bring cutting edge creativity to the interior lighting industry. Their later collaborations with Achille Castiglioni in the 80's established Flos in the market by developing a family of lighting, the Brera Series. Later partnerships with contemporary talent including Philippe Starck, Jasper Morrison, Konstantin Grcic, Marc Newson, Piero Lissoni, Marcel Wanders, Patricia Urquiola and many others continued to propel Flos as a leader in modern interior lighting. Pairing with talented design professionals has become a core element of the company's mandate and extends to all areas of its brand including promotional activities and artful photography.
- Designer
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Flos Tab LED Table Lamp with Adjustable Head Designed by:
- Edward Barber & Jay Osgerby , 2011
Edward Barber & Jay Osgerby
UK
Barber, 1969 / Osgerby, 1969
“The pencil is the ultimate tool for the transfer of ideas from mind to paper.” - Edward Barber
Edward Barber and Jay Osgerby, both born in England in 1969, studied architecture and interior design together at the Royal College of Art in London. They founded their own architecture and design studio – Barber Osgerby – in 1996. Known for their roguish designs such as the Tip Ton chair for Vitra and the Tab Light for Flos, the East London-based pair have been showered with a number of prestigious awards including the Jerwood Applied Arts Prize for Furniture, and most recently they were awarded the title of Royal Designers for Industry by the Royal Society of Arts.
Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.
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