The Miniatures Collection present the most important classics of modern furniture history in miniature in a scale of 1:6. Their construction, materials and colors correspond to the historical Vitra Design Museum collection original, right down to the last detail. Because they are so true to the originals, the miniatures are not only valuable collector's items, but also ideal illustrative material for universities, colleges of designs and architects. The Miniatures Collection is unique worldwide. For each miniature there is a licence agreement with the designer or his heirs. Many designers collaborate with Vitra to develop the miniatures of their own designs and offer their assistance by supplying information on the objects. In return, Vitra honor the designer's copyright by paying royalties.
- Height: 15.8 cm / 6 1/4 inch
- Width: 14.6 cm / 5 3/4 inch
- Depth: 18.1 cm / 7 1/8 inch
- Each miniature is packaged in a wooden box, accompanied by an informational booklet.
- Each of the delicate objects are made by hand; on average, each miniature requires five hours of careful manual work. Ongoing quality control ensures that every miniature corresponds to its larger original in terms of finishing, details and materials.
Twenty years ago the Vitra Design Museum in Weil am Rhein began making miniature replicas of the great milestones in furniture design housed in its collection. A summary of the history of industrial furniture design – moving from the historic and art nouveau to the new Bauhaus’ radical design, and from postmodernism all the way up until the present day – the collection has grown to include more than 100 pieces. The chairs are all one sixth of the size of the originals. They are all true to scale and replicate the originals right down to the smallest details in construction, material and color.
Vitra Miniatures Gala Designed by:
- Franco Albini
Italy, 1905 - 1977
Franco Albini studied architecture at the Milan Polytechnic school, where he obtained his diploma in 1929. Still being a student, Albini assisted Gio Ponti in his studio. Ponti's influence becomes obvious in Franco Albini's early designs in the Art déco style.
In 1930 Franco Albini opened his own studio for interiour design and decoration. After the war, Franco Albini worked as an architect, too. In 1930 Franco Albini participated in the Monza Triennale where he showed his furniture designs. At the 1936 Milan Triennale, Franco Albini presented progressive designs for a rational layout for small rooms, called "stanza per un uomo" (one-man room).
Albini designed a tiny room, in which each element fulfilled one or more functions: a tabletop is integrated in a shelving system, the ladder leading up to the loft bed also functions as a clothes stand, and the bed itself is a partition for the room. In 1941 Franco Albini designed a transparent radio (however, it was never produced).
Franco Albini's most popular designs were done in the 1950s. The most famous ones were his designs for shelves and chairs, produced by Cassina and especially by Poggi. The shelves are easy to disassemble and can be expanded without restriction. The shelves have no back board as they are either clamped between the floor and the ceiling or suspended on the ceiling on metal chains. This construction then functions as a transparent room partition. In 1951 Franco Albini created his rattan chair "Margherita".
From 1952 the designer and architect Franca Helg was Franco Albini's business partner; she played a crucial role in numerous Albini designs. As an architect, Franco Albini built housing estates in Milan and in 1957, he designed the building for the La Rinascente department store in Rome. Together with Franca Helg and Bob Noorda, Franco Albini also designed underground stations in Milan. From 1963 to 1977 Franco Albini taught at the Polytechnic school in Milan. He died in 1977.