The Miniatures Collection present the most important classics of modern furniture history in miniature in a scale of 1:6. Their construction, materials and colors correspond to the historical Vitra Design Museum collection original, right down to the last detail. Because they are so true to the originals, the miniatures are not only valuable collector's items, but also ideal illustrative material for universities, colleges of designs and architects. The Miniatures Collection is unique worldwide. For each miniature there is a licence agreement with the designer or his heirs. Many designers collaborate with Vitra to develop the miniatures of their own designs and offer their assistance by supplying information on the objects. In return, Vitra honor the designer's copyright by paying royalties.
- Height: 14.6 cm / 5 3/4 inch
- Width: 8.5 cm / 3 3/8 inch
- Depth: 11.4 cm / 4 1/2 inch
- Each miniature is packaged in a wooden box, accompanied by an informational booklet.
- Each of the delicate objects are made by hand; on average, each miniature requires five hours of careful manual work. Ongoing quality control ensures that every miniature corresponds to its larger original in terms of finishing, details and materials.
Twenty years ago the Vitra Design Museum in Weil am Rhein began making miniature replicas of the great milestones in furniture design housed in its collection. A summary of the history of industrial furniture design – moving from the historic and art nouveau to the new Bauhaus’ radical design, and from postmodernism all the way up until the present day – the collection has grown to include more than 100 pieces. The chairs are all one sixth of the size of the originals. They are all true to scale and replicate the originals right down to the smallest details in construction, material and color.
Vitra Miniatures Antony Designed by:
- Jean Prouve , 1950
France, 1901 - 1984
Jean Prouvé is one of the most influential furniture designers of the early modern design movement. Prouvé introduced industrial, engineered modern design aesthetic to interiors in the steel and aluminum furniture he created.
Jean Prouvé was born into an artistic family in Nancy, France; his famous father, Victor Prouvé, collaborated with the great Art Nouveau artists Emile Galle and Louis Majorelle. Prouvé was trained as a metal smith before attending engineering school in Nancy and his intimate knowledge of metal remained the foundation of his work and career. After opening his own workshop in 1923, he began producing modern metal furniture of his own design as well as collaborating with some of the best-known French modern designers of the day, including Le Corbusier and Charlotte Perriand. His shelving units for the dormitories at the Cite Internationale universitaire de Paris, designed with Perriand and the artist Sonia Delaunay in 1952, are perhaps the best-known examples of his collaborative work.
Jean Prouvé strove for the most efficient designs, with such classic results as the Standard Chair, 1934 and the Cite Chair of 1930. Utilizing his innovative method of folding sheet metal, Jean Prouvé designed a series of tables that have the perceived lightness of bridges and the presence of architecture. In the mid 1950s Jean Prouve began devoting his time to the challenges of prefabricated architecture. His own house, which he designed as a prototype, is now considered a major development in prefab housing.