The shape of the Chaise Tout Bois articulates Prouvé's intention to give the chair particular strength at the transition from seat to back, where pressure is greatest due to the human anatomy.
The profile of the rear frame - hind legs and backrest support - refers to this process of stress, a typical feature of Prouvé's furniture and architectural designs.
The Chaise Tout Bois by Vitra corresponds to one of Jean Prouvé's design variants from 1941, which manages completely without screws. Height and seat geometry correspond to those of the chair standard and thus meet today's requirements.
The warm expression of the wood forms a homely contrast to the functional form of the chair, which is typical of Prouvé.
- Seat and backrest: moulded plywood veneer in natural or dark-stained oak, protective natural lacquer finish
- Base: non-stackable solid wood base; same type of wood as backrest and seat in natural or dark-stained oak, protective natural lacquer finish
- Height: 80.5 cm / 31.75 inch
- Seat Height: 46 cm / 18.25 inch
- Depth: 49 cm / 19.5 inch
- Width: 46 cm / 18.25 inch
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Their products and concepts are developed in an intensive design process, bringing together engineering excellence with the creative genius of today’s leading international designers. It is Vitra’s goal to create furniture and accessories that are functional and inspiring. Founded in 1950, Vitra produces many products from internationally recognized designers such as Verner Panton, Isamu Noguchi, Eero Saarinen and Jasper Morrison.
Vitra Chaise Tout Bois Designed by:
- Jean Prouve , 1941
France, 1901 - 1984
Jean Prouvé is one of the most influential furniture designers of the early modern design movement. Prouvé introduced industrial, engineered modern design aesthetic to interiors in the steel and aluminum furniture he created.
Jean Prouvé was born into an artistic family in Nancy, France; his famous father, Victor Prouvé, collaborated with the great Art Nouveau artists Emile Galle and Louis Majorelle. Prouvé was trained as a metal smith before attending engineering school in Nancy and his intimate knowledge of metal remained the foundation of his work and career. After opening his own workshop in 1923, he began producing modern metal furniture of his own design as well as collaborating with some of the best-known French modern designers of the day, including Le Corbusier and Charlotte Perriand. His shelving units for the dormitories at the Cite Internationale universitaire de Paris, designed with Perriand and the artist Sonia Delaunay in 1952, are perhaps the best-known examples of his collaborative work.
Jean Prouvé strove for the most efficient designs, with such classic results as the Standard Chair, 1934 and the Cite Chair of 1930. Utilizing his innovative method of folding sheet metal, Jean Prouvé designed a series of tables that have the perceived lightness of bridges and the presence of architecture. In the mid 1950s Jean Prouve began devoting his time to the challenges of prefabricated architecture. His own house, which he designed as a prototype, is now considered a major development in prefab housing.