The Table Series comes in a wide variety of shapes and sizes.
- Pedestal base is a satin polished aluminum foot and a satin chromed/chromed steel pedestal in satin polished aluminum
- Span legs are chrome or powder coated
- Height: 72 cm / 28.3 inch
- Width (A602): 75 cm / 29.5 inch
- Width (A603): 100 cm / 39.4 inch
- Width (B603): 100 cm / 39.4 inch
- Please contact us to order the table with shorter legs.
Fritz Hansen was established in 1872 by the visionary cabinetmaker of the same name. Since then, Fritz Hansen has become a natural part of both Danish and international design history. Today, it is an exclusive and international design brand. The history of Fritz Hansen is characterized by stupendous craftsmanship, unique design and an inherent sense of premium quality. Leading architects and furniture designers from all over the world have regularly contributed to the collection with beautifully shaped and functional furniture that seamlessly meet through the use of innovative techniques and new materials. Arne Jacobsen, Poul Kjærholm, Piet Hein, Vico Magistretti, Burkhard Vogtherr, Piero Lissoni, Kasper Salto and Morten Voss – the stellar string of designers is long and the list of furniture of classic and iconic fame is even longer.
Their design philosophy inspires the creation of new, simple, sculptural and original furniture that is timeless and relevant in time. This furniture is for modern city dwellers and international businesses with a confident taste for elegance and underplayed luxury and the desire to strengthen their identity and image. People who wish to make a statement, which is entirely their own.
Fritz Hansen Table Series - Supercircular Designed by:
- Arne Jacobsen , 1968
- Bruno Mathsson , 1968
- Piet Hein , 1968
Denmark, 1902 - 1971
“The fundamental factor is proportion. Proportion is precisely what makes the old Greek temples beautiful...And when we look at some of the most admired buildings of the Renaissance or the Baroque, we notice that they are all well proportioned. That is the essential thing.” - Arne Jacobsen
As an architect and an industrial designer, Jacobsen always strove to achieve grace and coherence. In the process, he emerged as the single most influential Danish architect of the 20th century and the designer of such modernist classics as the Swan, Egg and Ant chairs as well as the stainless steel, abstract-shaped cutlery which the director Stanley Kubrick chose as futuristic props for his film, 2001: A Space Odyssey.
Born in Copenhagen in 1902, Arne Jacobsen studied architecture at the Royal Academy of the Arts. As a student, Jacobsen travelled to Paris for the groundbreaking 1925 Exposition Internationale des Arts Décoratifs, where he won a silver medal for a chair design. Architectural commissions dwindled during World War II and being Jewish, Jacobsen was threatened by the Nazi occupation of Denmark. In 1943, he left Denmark for two years of wartime exile in Sweden, where he was inspired by Scandinavia’s rich cultural heritage and natural beauty. When he returned to Denmark in 1945, the country urgently needed new housing and public buildings. Jacobsen’s late 1940s houses and apartment blocks were fairly spartan in design and intended to be built at speed.
During the 1950s, Jacobsen became increasingly interested in product design inspired by the work of the US furniture designers, Charles and Ray Eames. In 1951, Jacobsen completed work on the Ant Chair, an intricately molded plywood seat on three thin steel legs. This was followed by the simpler hourglass form of the 1955 Model 3107 - Series 7 Chair. Like the Ant, the Series 7 was perfect for modern living being light, compact and easily stackable. In 1957 Jacobsen also created another pair of classic 20th century chairs, the Swan and the Egg, with organically shaped upholstered seats on slender metal bases.
Jacobsen was responsible for another 20th century classic, the Cylinda Line stainless steel cocktail kit and tableware, which he designed, in the late 1960s for Stelton.
Sweden, 1907 - 1988
Bruno Mathsson was a Swedish furniture designer and architect, however, his rational idealist associate, Piet Hein, was neither an architect nor a furniture designer - but a philosopher, poet, and mathematician. Mathsson had ideas coloured by functionalism/modernism, as well as old Swedish crafts tradition, when it comes to design. Being the son of a carpenter in the town of Värnamo; in the South of Sweden, it was fairly obvious what work the young Bruno would choose. After a short time of education in school, he started to work in his father's gallery. He soon found a great interest in furniture and especially chairs - their function and design. Eventually he developed a special building technique for wooden chairs where the components were bent and glued under the action of hot water.
Denmark, 1905 - 1996
Piet Hein, was neither an architect nor a furniture designer - but a philosopher, poet, and mathematician. Hein created the Superellipse as a new oval shape for the Sergel's Square in Stockholm. In cooperation with the Swedish designer, Bruno Mathsson, he later used the shape for the Superellipse Table Series which Fritz Hansen put in production in 1968.
Together, they have designed a series of impeccable quality dining tables for Fritz Hansen.