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Kartell Tic & Tac Wall Clock (Priced Each, Sold in Sets of 4)

Brand

kartell
Starting at: $135.00 USD
$135.00 USD

Description

Kartell is counting the hours and presents its first wall clock. A transparent square "box" measuring 30x30 cm with Roman numerals engraved on the surface encompassing the flat clock face where a slim pair of colored hands stand out in a chromatic synthesis, MORE INFO

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$135.00 USD
Description

Details

Kartell is counting the hours and presents its first wall clock. A transparent square "box" measuring 30x30 cm with Roman numerals engraved on the surface encompassing the flat clock face where a slim pair of colored hands stand out in a chromatic synthesis, transforming time into an aesthetic experience. Tic & Tac is a clock with impressive thicknesses creating a play of lights and reflections. The inimitable hand of Starck is emphasised by the orange hands, one of the designer's color fetishes. The clock face comes in white and in black or chrome-plated versions in a range of metallic shades.

MATERIALS:

  • Transparent PMMA Clock Face and Batch-dyed or Metallic ABS Case

MEASUREMENTS:

  • Width: 30 cm / 11.75 inch
  • Height: 30 cm / 11.75 inch
  • Depth: 8 cm / 3.125 inch

Product Attachments

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Brand
Kartell

Kartell's company story shines through in each and every one of its products. A commitment to the ever changing and advancing technology and versatility of plastic, Kartell's primary material, is at the heart of this Italian design house. Design integrity and innovation is another core element of Kartell's operations, highlighted by its partnerships with internationally acclaimed designers. Kartell's design roster includes Philippe Starck, Partricia Urquiola, Enzo Mari, Piero Lissoni, Vico Magistretti, Alberto Meda, Ferruccio Laviani and Ron Arad, among other top talent.

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Designer
Kartell Tic & Tac Wall Clock (Priced Each, Sold in Sets of 4) Designed by:
  • Philippe Starck
Philippe Starck

Philippe Starck

France 1949

“I like to open the doors of the human brain” - Philippe Starck

School dropout Philippe Starck jump-started his career by designing two nightclub interiors in Paris in the 1970s. The success of the clubs won the attention of President Francois Mitterand, who asked Starck to refurbish one of the private apartments in the Elysee Palace. Two years later, Starck designed the interior of the Café Costes, in Paris and was on his way to becoming a design celebrity. In quick succession, he created elegant interiors for the Royalton and Paramount hotels in New York, the Delano in Miami and the Mondrian in Los Angeles. He also began to produce chairs, lamps, motorbikes, boats and a line of house wares and kitchen utensils, like his Juicy Salif for Alessi.

During the 1980s and 90s Starck continued his prolific creativity. His products have sensual, appealing forms suggestive of character or personal identity and Starck often conferred upon them clever, poetic or whimsical names (for example, his La Marie chair and playful Prince Aha stool). Starck’s furniture also often reworks earlier decorative styles. For example, the elegant Dr. No chair is a traditional club chair made unexpectedly of injection-molded plastic. While the material and form would seem to be contradictions, it is just such paradoxes that make Starck's work so compelling. Starck’s approach to design is subversive, intelligent and always interesting.

His objects surprise and delight even as they transgress boundaries and subvert expectations. During the 90s Starck has also begun to promote product longevity and to stipulate that morality, honesty and objectivity become part of the design process. He has said that the designer's role is to create more “happiness” with less. For all his fame Starck’s work remains a serious and important expression of 20th century creativity.

View More by: Philippe Starck