Available Fall 2020
The pendant comes in three sizes and is characterised by the ridges on top that allow a gentle light to exude upwards. The new, energy-saving LED version all three sizes come with a diffusor, which offers a smoother, 100% glare-free lighting.
- Shade: Spun aluminum
- Rings: Steel
- Diffusor: Frosted acrylic
- Small Ø: 24.8 cm / 9.8 inch
- Medium Ø: 34.7 cm / 13.7 inch
- Large Ø: 50 cm / 19.7 inch
- Small: 8W LED 2700K/3000K
- Medium: 16W LED 2700K/3000K
- Large: 30W LED 2700K/3000K
- Cable length: 3m
- cULus Listed
The essence of Louis Poulsen Lighting is to create human-friendly lighting – lighting that makes people feel comfortable and relaxed and creates an excellent atmosphere. Louis Poulsen's lighting philosophy consists of three elements: function, comfort and ambience. Louis Poulsen Lighting wants people to feel they are in good company.
For more than eighty years, Louis Poulsen has collaborated with such visionary architects and designers as Arne Jacobsen, Verner Panton and Foster+Partners to produce innovative lighting solutions for buildings and their surroundings. Poul Henningsen, designer of the iconic Artichoke Pendant Light, began a lifelong collaboration with Louis Poulsen Lighting in 1925 that lasted until his death. To this day, Louis Poulsen Lighting still benefits from his genius.
Louis Poulsen Lighting offers a complete product line that includes suspended, ceiling, pendants, table, floor and wall lighting for both indoor and outdoor use. The superior styling, craftsmanship and quality of Louis Poulsen products can be found on projects around the globe.
Louis Poulsen AJ Royal Pendant Lamp Designed by:
- Arne Jacobsen
Denmark, 1902 - 1971
“The fundamental factor is proportion. Proportion is precisely what makes the old Greek temples beautiful...And when we look at some of the most admired buildings of the Renaissance or the Baroque, we notice that they are all well proportioned. That is the essential thing.” - Arne Jacobsen
As an architect and an industrial designer, Jacobsen always strove to achieve grace and coherence. In the process, he emerged as the single most influential Danish architect of the 20th century and the designer of such modernist classics as the Swan, Egg and Ant chairs as well as the stainless steel, abstract-shaped cutlery which the director Stanley Kubrick chose as futuristic props for his film, 2001: A Space Odyssey.
Born in Copenhagen in 1902, Arne Jacobsen studied architecture at the Royal Academy of the Arts. As a student, Jacobsen travelled to Paris for the groundbreaking 1925 Exposition Internationale des Arts Décoratifs, where he won a silver medal for a chair design. Architectural commissions dwindled during World War II and being Jewish, Jacobsen was threatened by the Nazi occupation of Denmark. In 1943, he left Denmark for two years of wartime exile in Sweden, where he was inspired by Scandinavia’s rich cultural heritage and natural beauty. When he returned to Denmark in 1945, the country urgently needed new housing and public buildings. Jacobsen’s late 1940s houses and apartment blocks were fairly spartan in design and intended to be built at speed.
During the 1950s, Jacobsen became increasingly interested in product design inspired by the work of the US furniture designers, Charles and Ray Eames. In 1951, Jacobsen completed work on the Ant Chair, an intricately molded plywood seat on three thin steel legs. This was followed by the simpler hourglass form of the 1955 Model 3107 - Series 7 Chair. Like the Ant, the Series 7 was perfect for modern living being light, compact and easily stackable. In 1957 Jacobsen also created another pair of classic 20th century chairs, the Swan and the Egg, with organically shaped upholstered seats on slender metal bases.
Jacobsen was responsible for another 20th century classic, the Cylinda Line stainless steel cocktail kit and tableware, which he designed, in the late 1960s for Stelton.