The controlled light. The transparent light. The colored light. Both Panto and VP Globe pendants are unusually light globes. Available from all sides. Kind and forthcoming. An airy bubble which will give the light optimum working conditions and let it show its best advantage in space. The light discs above and below the shielded bulb and again could be related to the ball allows variation and adaptation of the light to fit the space. And they show Verner Panton's great feeling for the technical aspects, materials and opportunities, and bright.
"Color planning is crucial in the design of an environment. It is not enough to say that red is red and blue is blue. I work generally parallel with the colors if tones follow each other in the spectrum. Then I can control the room's cold and warm character and create a certain mood. " Quote: Verner Panton.
- Transparent Acrylic
- Reflectors: White Lacquered Aluminum
- Ceiling Canopy: Metal (White Lacquered)
- Small Diameter: 40 cm / 15.8 inch
- Large Diameter: 50 cm / 19.7 inch
- Cord Length: 400 cm / 157.5 inch
- Small: 1 x 60W Max, E12
- Large: 1 x 60W Max, E26
- Cord: White fabric
- Suspended by three steel chains.
- Includes white ceiling canopy
- UL listed
Verpan is the exclusive producer of the work of Danish designer Verner Panton. Verpan is based in Denmark. The company produces his classic lighting pieces such as Panton’s Fun Collection and the beautiful Panto Pendant Light. Verpan is also introducing authentic editions of Panton’s colourful seating, tables, area rugs and home accessories.
Verpan Panto Pendant Lamp Designed by:
- Verner Panton , 1977
Denmark, 1926 - 1998
Verner Panton was a master of the fluid, futuristic style of 1960s design that introduced the Pop aesthetic to furniture and interiors. Born in Denmark, he made his name there before settling in Switzerland in the 1960s.
Nothing in Verner Panton’s childhood suggested that he might become a designer but meeting Pøul Henningsen at the Royal Academy of Art introduced Panton to product design. An equally important influence was Arne Jacobsen, whom Panton assisted from 1950 to 1952 on various projects including the famous 1951-52 Ant Chair. Panton later claimed he had “learned more from him than anyone else.”
In 1955, Fritz Hansen began production of Panton’s Bachelor Chair and Tivoli Chair. But it was not until the Cone Chair’s introduction in 1959 that Panton came into his own with a truly distinctive style. A thinly padded conical metal shell placed point-down on a cross-shaped metal base. A Danish businessman, Percy von Halling-Koch, spotted it at a restaurant opening and offered to put it into production for Panton. When it was photographed for Mobilia, the Danish design magazine, in 1961, Panton draped naked shop mannequins and models on the chairs, which caused a minor scandal. The Cone Chair even attracted controversy in New York, after the police ordered that it be removed from a shop window where large crowds had gathered to see it.
Panton settled in Basel in where he began a long collaboration with Vitra, the European licensee of Herman Miller, the US furniture maker. They launched the Flying Chair, a playful piece of fantasy furniture, which was the hit of the 1964 Cologne Furniture Fair, and developed the 1967 Panton Chair, the first cantilevered chair made from a single piece of plastic. Sleek, sexy and a technical first, the Panton was the chair of the era. A glossy red Panton featured in Nova magazine’s 1970 shoot in which a model demonstrated “How to undress in front of your husband.”
Verner Panton’s popularity faded but in 1995 British Vogue featured a naked Kate Moss on a Panton Chair on its cover. His 1960s pieces were put back into production and he was invited to design an exhibition, Verner Panton: Light and Colour, at Trapholdtmuseum in Denmark. The exhibition opened as planned on 17 September 1998, but Panton had died in Copenhagen twelve days earlier.