With the Pedestal Collection, Eero Saarinen vowed to eliminate the "slum of legs" found under chairs and tables with four legs. He worked first with hundreds of drawings, which were followed by ¼ scale models. Since the compelling idea was to design chairs that looked good in a room, the model furniture was set up in a scaled model room the size of a doll house.
Drawing on his early training as a sculptor, Saarinen refined his design through full scale models, endlessly modifying the shape with clay. “What interests me is when and where to use these structural plastic shapes. Probing even more deeply into different possibilities one finds many different shapes are equally logical—some ugly, some exciting, some earthbound, some soaring. The choices really become a sculptor’s choice."
Saarinen was assisted by Don Petitt, of Knoll’s Design Development Group, who introduced several ingenious methods of model making. Together with a Knoll design research team, they worked out the problems arising in production. Full scale models became furniture and, with family and friends acting as “guinea pigs,” the furniture was tested in the dining room and living room of the Saarinen house in Bloomfield Hills.
- Base is heavy molded cast aluminum with abrasion resistant white Rilsan finish
- Width: 198.1 cm / 78 inch
- Depth: 121.2 cm / 47.7 inch
- Height: 71.7 cm / 28.2 inch
- All stainless steel hardware
- Top attaches to base with threaded rod
- Greenguard Indoor Air Quality Certified®
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Boasting an extensive portfolio of products ranging from office work systems and residential mid-century modern classics, to textiles and accessories, Knoll is a leader of modern and sustainable design. Iconic designs from classic designers such as Harry Bertoia, Eero Saarinen, Warren Platner, Isamu Noguchi and Florence Knoll herself make up a large component of Knoll's collection, along with innovative contemporary pieces. Knoll's products can be found in private residences and major art museums alike, including 40 products in the permanent collection of the Museum of Modern Art in New York. read more...
Founded in 1938, Knoll's reputation for design integrity has a long and decorated history under the guiding principle: "good design is good business." Knoll invests in extensive research, field studies, customer collaborations, and partners with experts from the fields of architecture, organizational behavior, technology and business management to ensure that its products adapt and respond to the evolving needs of their customers. Environmental needs and requirements are not overlooked by design house either. In fact, Knoll is also considered a leader in production practices that reduce waste, conserve natural resources and protect the biosphere.Knoll has a strong international presence in the design world - headquartered in Pennsylvania, USA with showrooms across North America, Europe and represented by dealers throughought Latin America and Asia.
Knoll Saarinen - Oval Dining Table, Outdoor Designed by:
- Eero Saarinen , 1956
Finland, 1910 – 1961
Eero Saarinen, was born in 1910 in Finland and in 1923 the family emigrated to the US. He studied architecture at Yale, graduating in 1934. A Yale scholarship enabled Saarinen to travel to Europe but he returned to the US in 1936 to work in his father’s architectural practice. When his father died in 1950, Eero Saarinen took over the practice. Saarinen taught at Cranbrook Academy where he met Charles Eames in the late 1930s. Experimenting with Eames, Eero Saarinen co-developed new furniture forms and the first designs for furniture made of molded, laminated wood. In 1940 Saarinen and Eames took part in the “Organic Design in Home Furnishings” competition mounted by the Museum of Modern Art in New York.
For Knoll International Saarinen designed a great many pieces of furniture, including the 1948 Womb Chair, which was designed to make those seated in it feel as secure and cozy as a fetus in the womb. The Pedestal Group, dating from 1955-56, is collection of chairs and tables made of plastic and featuring only one central leg ending organically in a round disc on the floor. The very successful Tulip Chair belonged to this group. Eero Saarinen says he wanted to abolish the “miserable maze of legs.” In 1951 he designed the Saarinen Collection for Knoll, consisting of the still popular line of Executive Chairs. These chairs transformed the notion of what executive seating could be with its sculptural form and modern finishings.